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From Timothy Beaton's profile of Charles Clary in Nashville NATIVE:
This entry was originally posted at http://zirconium.dreamwidth.org/86582.html.
Appropriately, his largest and most ambitious piece was constructed in tribute to his mother, the woman who put the first crayon in his hand. The piece took six months to complete, and the final product sprawled across 240 square feet in an eight-by-forty-foot installation.
The number of towers reflected the number of days from his mother's cancer diagnosis to the day she passed: 204. It included seven seventeen-by-seventeen-inch towers representing the seven-month period, and twenty-six twelve-by-twelve-inch towers for the twenty-six-week period. There were also another 172 towers of varying sizes that completed the piece.
"It was something I had to do. I didn't let myself say, 'This is exhausting.' You're alive, and you're telling a story."
This entry was originally posted at http://zirconium.dreamwidth.org/86582.html.