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[Subject line from Toni Morrison's "I Am Not Seaworthy," song 5 in Honey and Rue]

A year and a couple of days ago, I was in Charleston. Photos under the cut )
USPS bicycle

This entry was originally posted at http://zirconium.dreamwidth.org/70935.html.
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as I read this paragraph from an inventory of Mary Roberts Rinehart's papers:


Notable items in the series include a long pair of scissors and a small jar of straight pins. A note with the scissors indicates that Mary Roberts Rinehart often edited her manuscripts by cutting up pages and pinning sections of text together in a different order. Evidence of this practice can be seen in some manuscripts in the Manuscripts and Notes series.

This entry was originally posted at http://zirconium.dreamwidth.org/69339.html.
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It's a wonderful world, y'all. A bloke in Cardiff, Othniel Smith, found Nic Sebastian's reading of "Playing Duets with Heisenberg's Ghost" at the Poetry Storehouse and was moved to make a videopoem of it:

"Playing Duets with Heisenberg’s Ghost" by Peg Duthie from OTHNIEL SMITH on Vimeo.



(Amplifying the pleasure: hearing about the video not only from Nic but from Rachel, whose d'var Torah on wrestling with angels has me thinking about how "face" and "facet" are only one letter apart; Sarah Sloat's poems at the Storehouse, which I will want to spend more time with later; and the cheap but nonetheless distinct thrill of seeing that if one Googles "Heisenberg's ghost" or "Heisenberg duets," the above video shows up first. [insert joke about Schrodingerian search results...])

In other news, the BYM's biking bestie brought breakfast to our house yesterday and (in celebration) I showed her all the spent enoxaparin syringes I'd collected in the box another friend had sent chocolates in. (Long story short: the BYM underwent surgery twice last month, which [among other things] necessitated thirty-nine anticoagulant shots, which neither he nor I ever got used to administering; the process was just as awful on day 39 as it was on day 1, especially since he had no padding on him to begin with and has since lost 10-15 pounds.) I mentioned that I had a couple of art projects in mind; the BYM furrowed his brow and made a squinchy face at me, but the bestie's face lit up, and she said, "If you don't end up doing something with them, I will." Have I said lately how much my friends delight me? :-)

This entry was originally posted at http://zirconium.dreamwidth.org/68991.html.
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I was a little apprehensive about going to the Chef and I in Nashville's Lenox Village last week. When I bought the Living Social voucher, the word "interactive" hadn't leapt out at me the way it did when I went to the website for more details, and I can get pretty sullen and surly if I'm feeling badgered into more interactivity than I'm in the mood to provide.

But it turned out to be a nice evening, even after I realized I'd totally gotten wrong which Lenox-something the restaurant was located around. (Note to self: do not buy anything via LS before the second cup of coffee. Ever.) The place is more mellow than its website -- I had a lovely sparkling wine (from Cielo winery) with lobster bisque, and halibut with various vegetables. The chef chatted briefly with me about the amuse-gueule (leftover coffee-crusted turkey, brie, and a sliver of scallion), tools for flipping fish, and the economics of serving lamb, but I was mostly left alone to enjoy my food, my notebook, and book in peace, and the room was large enough for the large birthday party behind me to be amusing rather than annoying.

The Chef and I
"Thanksgiving in a bite"

(More cell-phone snapshots here)

Other recent eats:
* fried calamari at the Bosco's in Cool Springs, with iced tea
* buffalo cauliflower at Tavern, with a pint of Left Hand Milk Stout and a pint of Mayday Boro Blonde. And they serve cucumber sticks instead of celery. Rawk!
* chicken, stuffing, corn on the cob, and other sides, prepared by Jase. Happiness is comparing Music City Tent & Events warehouse sale acquisitions (*) while sipping a good pinot noir. :D

(* Jase is a party planner. I used to coordinate events for a cathedral. I don't plan to execute anything ambitious in the near future [at least in that vein], but I did leave the sale with what I'd gone for [5 champagne flutes] and then some [4 martini glasses].)

On the writing front: 2 outright rejections, 4 rejections-by-inference, 2 made-it-through-another-round, and 1 stern-talking-to to stop myself from taking on a new and intriguing but poorly remunerative assignment that would tick me off if I actually let it nibble into the time I already can't spare for [lower 4/5 of Workflowy list]. (But because I am a dreamer, it's nonetheless tucked into that bottom 5th. It'll save me from making the same notes again the next time my magpie brain darts in that direction...)

In the meantime, an item in the top 1/5 is to get enough sleep. So it's off to bed, undrafted [x] and unpasted [y] and unstitched [z] notwithstanding.

This entry was originally posted at http://zirconium.dreamwidth.org/58653.html.
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IMG_8717

[An aside to Mary: I enjoy the checklists.]


We want to do, to make, to shape, to give form, to give life, to pass it on, for the life of others and for the whole world. We want to love and be loved, to praise and give thanks for the gift of life, of light, of love. The human quest is a constant struggle for balance, for integration. For the monk, this is done in the milking of cows. In that simple activity, God is near. In gathering eggs, in weighing fruitcakes, in putting just the right measure of sugar in jelly, in baking bread, in wrapping cheese, God is to be found. Working and praying spring from one and the same source: the human heart. There are never enough hours in a day to get all the work done that is ours to do. And there are not enough lifetimes to thank God for the one and only life we have to live.

-- Michael Downey, Trappist: Living in the Land of Desire [emphasis mine]


This entry was originally posted at http://zirconium.dreamwidth.org/54769.html.
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The subject line's the first line of Susan Fillion's Miss Etta and Dr. Claribel: Bringing Matisse to America. On the next page, there are portraits of the two women by Henri Matisse, who wrote to a friend about the process: "I've been working on them every morning for nearly a month now . . . it's hard but I'm learning a lot."

One of the paintings the Cone bought for their collection was Interior with Dog. Doggie!

(That be my brain after 90 minutes of yoga. "Doggie! Pretty! Post!")

This entry was originally posted at http://zirconium.dreamwidth.org/53257.html.

momentum

Jun. 14th, 2013 10:03 am
pondhop: white jointed mannequin in glass door (Default)
Two days ago, I cleaned and cleaned and cleaned. I had copyediting and lettering targets I'd planned to meet, but I also had a headache, and I haven't gotten past the "eek!" part of the current calligraphy thing, so scrubbing the tub and sanitizing pots and making a new batch of basil toner seemed way, way easier than putting pencil to paper.

Yesterday, I started copyediting after breakfast and worked flat through lunchtime (which almost never happens, because I loooooooove food and get very, very cranky when I'm running on fumes) and didn't stop until 2:45 pm, when I yelped, "Eek!" and rushed out the door to meet my hiking partner. (There are times when I curse pre-scheduled exercise because it disrupts my grooves, but we saw two fawns at the lake, and the ridge that always kicks my ass does seem to be getting slightly easier to climb.)

I worry about losing touch with people. I worry about people dying before I make time to bake the pie and find my crocheting to take over for a long catch-up chat. I worry about not getting around to planting the seeds I bought this year, or the ones I've put in the "plant later" tray because it's already too hot. I worry about the energy evaporating from the sketches of poems I don't have time to amplify or revise right now. I worry that when I finally throw out the bags of tomato seeds my mother tried to preserve -- I tested a few this spring, and nothing came up -- I'll wish I had them on hand a week later when the poem about Rorschach seed patterns on scraps of Bounty finally gels (I could take pictures -- I will take pictures -- but they aren't going to retain the layers or up-closeness of the actual thing. I could keep just one. I could work on the dang poem after all if I'm gonna think aloud about it this much).

I fret about how everything, but everything, expands into a million marigold petals when I touch it. I want to scrape at the scale on my bathroom faucet with a toothpick, and to paint my living room myself, and to redo every inch of my yard. I plan to find the pillow for the cover that's been made out of my wedding dress, and the upholsterer I'd hoped to ask about recovering my dining room chairs has gone out of business. I resent work for taking time away from studying. I am breathless whenever I spend an hour studying, awed at how much more there will always be to learn. I get deep into a manuscript and it reminds me of how much I actually already know, just from the years I've put in and how they've developed that editorial "sixth sense" that tells me when a name is probably misspelled or that something on page 38 isn't in sync with what the author says on page 83, as well as being hyper-conscious of all the little cues and nuances that separate a professionally designed book from a document assembled by an amateur. (Nothing against amateur efforts, mind--as long as the professionals are getting their due.) I miss learning new music, but not enough to rejoin my old ensembles or start the trio I sometimes dream about pulling together.

I am delighted by Cathy Yardley's review of my book. I'm singing along with madrigals in the car to de-rust my voice (I'm leading hymns at the early service this Sunday). I found a Spanish-language copy of Isabel Allende's Zorro at a used bookstore, and gave it to a GA delegate in my congregation to take to Louisville for the library to be established there. I saw that the bookstore had copies of Barbara Kingsolver's Animal, Vegetable, Miracle in both the Reading List and Agriculture sections, and that some of the copies in the Ag section were slightly cheaper, which was intel my hiking partner (and mom of a schoolkid) found useful when she went shopping there a few days later. My E player in fantasy tennis (the delightfully sassy Donna Vekic) has made a surprising run to the semifinals in Birmingham (UK), and I'm still alive in Survival at the Shore (horseracing predictions) -- ranked 1118th, true (my second-best day got negated by a cyberglitch, woe), but I haven't let myself dive deep into researching the ponies, so I'm fine with merely swimming along. Go Chocolate Drops! Go Zealous on the Run! Go Toute Allure! I'm amused by this interview of Charleston chef Robert Stehling, happy to hear reports that Husk Nashville is living up to the hype, and, in the bath, reading a 1996 Baedeker guide to Canada that used to live on the shelves of the Charlotte public library.

(And now it's been more than fifteen minutes since I applied sunscreen, and I've been asked to deliver a shirt and a gallon of water to my favorite motorcycle repair shop. Time to move from inventory to service! :-) )

This entry was originally posted at http://zirconium.dreamwidth.org/53033.html.
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Since the start of the month:
  • five new poems completed; two accepted

  • three hot yoga classes attended, at a new studio in the 'hood. Conclusion: bikram, yes; vinyasa, no

  • one commission completed; another in progress. So, there's been a lot of measuring...

    measuring

    ...and some warming up...

    warmup

    and soon there will be ink-grinding. But first, class #4...


  • This entry was originally posted at http://zirconium.dreamwidth.org/49689.html.
    pondhop: white jointed mannequin in glass door (Default)
    ...would be nice. But I'm doing what I can with what there is. Including making envelopes from old French workbooks.

    Fun with old French math books

    :-)

    This entry was originally posted at http://zirconium.dreamwidth.org/28797.html.
    pondhop: white jointed mannequin in glass door (Default)
    construction in my neighborhood

    I saw this house on a walk a couple of months ago. While I'm nowhere as into architecture or home decor as many in my circles, I'm occasionally fascinated by the variety of materials and tools -- what's available pre-cut or pre-assembled, the frames and bones that are so necessary and so invisible if the job's done right...

    Anyway, I also keep thinking of this snapshot when trying to sum up the year so far: under construction. under construction. under construction. I have three main lists right now: Before Road Trip, During Road Trip, and After Road Trip. It was already obvious by the beginning of this month that the "During Road Trip" list is ambitious enough for a half-dozen trips.

    I am reminding myself of Conditions of Enoughness. Among other things, there are over twenty specific poems I'd like to draft, revise, polish, and submit during this trip. But it's even more important to shake the stale fluff out of my mental attic, rather than finishing pieces for the sake of having pieces in circulation. The poems will find their readers when I allow myself enough time to let them bloom, even if I miss the deadlines for the original markets.

    And, speaking of poems:

  • 7x20 featured "Stuck" this morning.


  • "Reckoning with Wreckage" received an honorable mention in a contest at The Dictionary Project. (They kindly provided some helpful feedback in the notice, so it's one of the pieces I'll be tucking into the travel folder...)


  • Issue 18 of Spillway includes my poem "Not Your Honey."

    (For those of you who like hearing about publication paths: I first drafted this in January, for a contest with the theme of "Encounters." It wasn't selected as a finalist, so I then submitted it to The Pedestal; the poetry editor for the issue in question contacted me a week later to see if I'd be okay with her publishing it in Spillway instead. [Which highlights the issue of "fit," which I have encountered several times elsewhere this year -- i.e., submissions that were near-misses not because of quality but because they just didn't gell with the other poems the editor had selected for the collection in question. I think (judging from what I glimpse on forums and the like) that many writers aren't aware of how much effort editors invest in the shape and flow of an issue -- that their job isn't merely to select the best poems and stories, but selecting the best pieces that happen to complement the other pieces they will be featuring. And this is a useful reminder to myself, when I'm sulking yet again about not getting shortlisted for x or included in y, even though I know damn well that my odds of placing more work will go up substantially when I simply finish more work and send it out (and do so as many times as necessary). The piece that isn't quite right for A may be perfect for what B might be planning. Funny, that.]


  • This just in (via Mary): Belle DiMonté assesses The Moment of Change (now available as an e-book, btw!) and finds it "beautiful and transcendent in every sense." [The collection includes my poem "The Stepsister."]


  • This entry was originally posted at http://zirconium.dreamwidth.org/24382.html.

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